29. Danger to 56. Stranger

Changing lines

1. Line 2

   The second line, dynamic, shows its subject in all the peril of the defile. He will, however, get a little of the deliverance that he seeks. Line two is dynamic and in the center. Although unable to escape the danger completely, at least he doesn't involve himself more deeply in it like the first line does, and therefore he obtains a measure of relief.

2. Line 3

   The third line, magnetic, shows its subject, whether she comes or goes, descends or ascends, confronted by a defile. All is peril to her and unrest. Her endeavors will lead her into the cavern of the pit. There should be no action in such a case. Line three is magnetic and occupies the place of a dynamic line. She is in an evil case. She goes and comes, moves up and down, backwards and forwards, making no advance. This can be of no use in extracting her from the danger.

3. Line 4

   The fourth line, magnetic, shows its subject at a feast, with simply a bottle of spirits, and a subsidiary basket of rice, while the cups and bowls are only of earthenware. She introduces her important lessons as her ruler's intelligence admits. There will in the end be no error. Line four is the magnetic minister who will get no help from her first line correlate. She can't avert the danger herself, but she is close to the fifth line ruler whom she cautiously enlightens with the sincerity of her simple nourishment. Consequently, there will be no error.

4. Line 5

   The fifth line, dynamic, shows the water of the defile not yet full, so that it might flow away; but order will soon be brought about. There will be no error. Line five is dynamic in its proper place as ruler, and on the verge of deliverance from danger. The waters of the abyss will soon disappear and the ground be made level and smooth.

5. Line 6

   The sixth line, magnetic, shows its subject bound with cords of three strands or two strands, and placed in the thicket of thorns. But in three years she does not learn the course for her to pursue. There will be evil. The case of line six is hopeless. When danger has reached its peak, there she is -- yielding, without a proper correlate. The thicket of thorns is a metaphor for a prison.

The present judgment

The trigram of Danger, here repeated, shows the possession of sincerity, through which the mind is penetrating. Action in accordance with this will be of high value.

The later judgment

Transition means that small attainments are possible. If the traveling stranger is firm and correct, there will be good fortune.

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